Why is landscape photography only about winning competitions?

Landscape photography has become big business with many of the competition winners running courses and location based workshops and generally cashing in on their status. It is a small world with only the best known ‘celebs’ getting the attention and the audiences they desire. ‘Doing landscapes’ has been taken over by the need to win, become a celeb and make money.

In previous posts I have asked what contemporary landscape photography is a about. [What is landscape photography?  The wild, wilderness’ and pristine natural landscape  Man altered landscape] 

It has become very formulaic and it seems that people with cameras, I hesitate to call them photographers, have stopped looking at landscape as it is and see only potential competitions winners. They will not engage with their surroundings, see ‘nature’, feel it or connect with it because to them it is just a two-dimensional motif that is acceptable to the judges of competitions.

Popular and club photography is predicated on competitions and winning. Points are applauded, challenges to the accepted norms of what makes a point winning pic are denigrated. The pressure is to conform, to make images like everybody else or be a seen as a failure. Individual creativity is constrained within tightly prescribed rules. I wonder what the enjoyment is in constantly striving to play the game, to please judges, to be accepted and to win?

It is time we engaged fully with our landscape where we live and not run off to one of the ‘honey spots’ so accurately described in magazines. It is time to accept that landscape is not always pristine and natural, that it is made by humans, is sometimes dirty and ugly and that we own the landscape we make. Then we might produce images that say something about landscape rather than conform to a very narrow definition of what landscape photography should be.

The new landscape photography might even have room for the people who live and/or work in/on the land. Most of all photographers might start to enjoy a new kind of image making which is more relaxed, more creative, less competitive and more about their own ideas and feelings.  I live in hope but cannot see the money in such a venture!

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